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1. SABA SALVEMINI
2. ANNIKA STRØHM


SABA SALVEMINI
CURRICULUM VITAE

Name: Saba Salvemini
Profession: Actor
Nationality: Italian
Adress: Via Cairoli, 20 70054 Giovinazzo (Ba) Italy
Date of birth: 6th of February 1973
Mail: sabasa@tiscali.ithttp://www.areteensemble.wordpress.com
Mobile: +39 339 6063758
Skype: saba.salvemini
Driving license: type A, B
Physique: Hight: 1.78 cm, shoes: 42/43, weight: 70, hair: brown, , eyes: brown
Languages: English, French, Spanish.

EDUCATION:
2008-2011: different seminars with Jean Paul Denizon.
2001-2007 Theatre laboratories with different masters; working texts – “Crime and punishment”- “The Karamazov brothers” Dostoevskij; “Symposium”, “Ion”, “Hippias minor” – Plato; “Don Giovanni” – Moliere; “Guilty without guilt” – Ostrovski; “Thus spoke Zarathustra” – Nietzsche; “The seagull”, “Three sisters” – A. Cechov
2005/06: different seminars with A. Milenin.
2003/4: post – education master “Dannati Maestri” realised by Protei with Regione Puglia. Teachers : J. Alschitz, G. Borgia, C. Di Domenico, A. Strohm, B. Bonriposi, R. Tordoni , Teresa Vallarella.
2001  “Methodica” –  Festival of theatre pedagogies, Sweden.
2001: post – education master with J. Alschitz, G. Borgia and C. Di Domenico (Protei-progetti teatrali internazionali), Vladimir Granoff (GITIS di Mosca), C. Schmalor (Akt-zent di Berlino), G. Sneltvedt (SCUT di Oslo).
’96-2000: Diploma – National Theatre Academy, Genova – Teatro Stabile di Genova, art. dir. A. Messeri.
’93-’94: Acting school “ATECNICI” art. direction Delia Cajelli, Busto Arsizio (VA).
Voice characteristics:
Contralto.
1996 – 2000 Class at Theatre Academy Teatro Stabile Genova
2002 – 2005 private lessons with Tiziana Portoghese ; educated at the music conservatory in Bari.
2002 concert for actors with the composer Igor Ioussim.
From 2007 Trompet – Beginner.
STAGES:
Stages with A. Milenin, D. Manfredini, M. Francia, R. Mirecka, M. Lucenti, C. Coldy, T. Bertherat, P. Byland, P. Nani, I. Algie, V. Campo.
From ’99 to 2000 – course in contemporary dance with G. Di Cicco and C. Monti (Compagnia Arbalete).
From ’99  Taiji Quan practise.

PERFORMANCES:

2012
 “A monkey to the Academy” di F. Kafka directed by Jean-Paul Denizon. Monologue. A production Areté Ensemble.
Medea” by Euripide, directed, translated and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble.
 “The Problem” by A.R. Gurney Jr, directed and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble.
“A voice to what remains”  by S. Salvemini e A. Strøhm. Lessons of philosophy/ theatre, for high school students.
“The curry room” by S. Salvemini e A. Strøhm. Theatre and music happening in gypsy style.
2011
Medea” by Euripide, directed, translated and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble.
“Three sisters” by A.Tsjeckhov, directed by Jean Paul Denizon
“The Problem” by A.R. Gurney Jr, directed and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble.
2010
Festival “Biarteca 2010” Short pieces: Kick off; As much as we may be Immortal;  Lights. Directed by A. Strøhm, S. Salvemini, R. Goulsmit, C. Bos-Kroese.
“The birthday of Sofia” – Shortfilm realised by Areté Ensemble and TIEFILM  – Price of Best Actress A. Strøhm Piemonte Movie Festival,Torino.
“Folk song” -Concert-recital directed by T. Portoghese
“Liederabend” – Concert-recital directed by T. Portoghese
“The Problem” by A.R. Gurney Jr, directed and interpreted by Annika Strøhm and Saba Salvemini, a production Areté Ensemble.
“La parata” street performance directed by Boris Vecchio.
La voce del filosofo” conducted by S. Salvemini e A. Strøhm. Lessons of philosophy/ theatre, for high school students.
2009
The Problem – by A.R. Gurney Jr.  Directed and interpreted by Annika Strøhm and Saba Salvemini.   A production Areté Ensemble
Lover’s song – directed by Iida Shigemi and the E-Dance Ensemble.
Fenicotteri Game #1 – short film realised by Areté Ensemble and SalveminiMalorni.
Niente di umano – Rien d’humaine by Marie NDiaye, mise en espace by Teresa Ludovico, Kismet Teatro Opera, Bari
Body tracks video realized by Areté Ensemble.
Cibonia performance/lesson on alimentation for elementary school realised by Areté Ensemble.
La voce del filosofo  di S. Salvemini e A. Strøhm.  Lessons of philosophy/theatre, for high school students
2008
“La légende de Sainte Cécile” by E. Chausson. Concert. Directed by Rino Marrone. Collegium Musicum Bari. Reading by S.Salvemini and T. Ludovico.
“Signals” by Cora Bos-Kroese. Theatre/dance performance presented at the Cadance Festival of Den Haag, NL.
Studio K- The night before the forests” by B.M. Koltès, directed and interpreted by Saba Salvemini.
Vangelo secondo Giovanni” – reading of the entire gospel of John by Saba Salvemini.
La voce del filosofo”  by S. Salvemini e A. Strøhm. Lessons of philosophy/theatre, for high school students
Biarteca 2008” Three short pieces; Piazza a Pois, Fenicotteri, A square.
2007
Gospel of John” reading of the entire text, idea and realisation Saba Salvemini.
Studio K- The night just before the forests”  by B.M. Koltès, idea and realisation by Saba Salvemini.
“The Ecclesiaste”  realisation by Saba Salvemini – theatre reading.
Biarteca 2007” International festival – three works : Actuality, Pacman Vs Escher II, Ristorante dai Felici spaghetti.
Better not knowing”  direction F. Madonni, readings together with violin quartet.
The voice of the philosopher”  by S. Salvemini and A. Strohm. Reading and games of philosophical texts.
2006
Ione: una prova” by H. Kaletsch direction H. Kaletsch. Dialogue.
How to explain the history of communism to the mental patients“ – Reading – by M. Visniec, direction G. Borgia.
Clown clandestino” – street theatre – direction G. Foresti.
Mr. Escher Vs Pacman” performance of music/theatre directed by Y. Avital.
A day in the life of a square” theatre performance directed by K. Bos.
Studio K- La notte poco prima delle foreste” by B.M. Koltès.
Assedio” by M. Dammacco, direction S. Gonnella, prod. Diaghilev. Dialogue.
2005
Ritratto di signora del Cavalier Masoch per intercessione della Beata Maria Goretti” by C. Bene, direction G. Borgia.
La Controra” by S. Antinori, direction S. Antinori. Performance for 3 actors.
Assedio” of M. Dammacco, direction S. Gonnella, prod. Diaghilev. Dialogue.
Vocazione di una puttana” by N. Capra, direction G. Borgia, with A. Strøhm. Assistant director.
2004
Ritratto di signora del Cavalier Masoch per intercessione della Beata Maria Goretti” by C. Bene, direction G. Borgia. Performance for 5 actors. Debut Festival dei Due Mondi di Spoleto.
Un Amleto di legno“ by N. Capra, direction G. Borgia. Debut Festival dei Due Mondi di Spoleto.
La casa di Bernarda Alba” by F.G. Lorca, direction G. Borgia.
2003
Verso la Casa di Bernarda Alba” by F.G. Lorca, direction G. Borgia. Second studio.
Lontano dalla Casa di Bernarda Alba” by F.G. Lorca, direction G. Borgia. First studio.
Dimitrij karamazov” by Dostoevskij, direction C. Di Domenico. Dialogue.
Leopardi: Operette e Canti” by N. Capra with texts of G. Leopardi, direction G. Borgia. Dialogue.
2002
Leopardi: Operette e Canti” dialogue directed by G. Borgia.
Macbeth Illusion” from W. Shakespeare, direction Jurij Alschitz, production Protei-Progetti Teatrali Internazionali.
Directors colloquim” Seminar for professional directors, directed by Jurij Alschitz. Working as actor.
2001
Cechov Exercises” from  “The seagull” and “Three sisters” of A. Cechov.  Direction of the composition Jurij Alschitz.
Frammenti dalla costruzione di un amore e di un teatro” direction S. Di Lauro.
Il canto delle formiche” direction  G. Borgia and C. Di Domenico.
Notte al Castello” concert – direction G. Gotti.
2000
Non si fa attendere una regina” by M. Formisano, direction A. Messeri, production Stabile di Genova.
Le bizzarrie di Belisa” by Lope de Vega, direction A. Messeri, Scuola del Teatro Stabile di Genova.
Il giro del mondo in 80 giorni” from J. Verne, direction L. Sicignano, Teatro Cargo.
“La guerra di Oscar” – Short film – direction Luca Franco.
1999
La formula”, street-theatre, direction B. Vecchio.
I porci senza guardiano” street-theatre based on the story by Andersen, direction L. Pischedda and B. Vecchio.
Happy End” by E. Hauptman-B. Brecht, direction A. Messeri, Teatro Stabile di Genova.
Giulietta e Romeo a love story” adaptation and direction P. Valerio, Teatro Alcione-Verona.
La saga del velluto” direction P. Valerio.
Improvvisazione a Versailles” by Molière direction A. Messeri, Stabile di Genova.
Lo strano bus”, street-theatre, direction B. Vecchio, Teatro della Tosse.
1998
La bibliotecaria rapita” by M. Formisano, direction A. Messeri.
Il maestro e Margherita” by Bulgakov, adaptation and direction L. Sicignano, Teatro Cargo.
La dodicesima notte” by W. Shakespeare, direction A. Messeri, Teatro Stabile di Genova.
1996
Piccole donne” by Alcott, adaptation and direction D. Cajelli, Atecnici.

THEATRE ASSOCIATIONS
2007
Foundation Areté Ensemble, president and member.
2003/04
Counsellor Protei –  International Theatre projects – Art. dir. J.  Alschitz.
2001
Counsellor and  founder of  “La Compagnia delle formiche”.

TEACHING

From 2001 –  theatre teacher in various high schools.

OTHER STUDIES
Liuc-Libero Istituto Universitario Carlo Cattaneo, Laurea in Economia Aziendale. – University studies in Business Economy, Italy
Espeme Lille (Ecole Supèrieure de management de l’Entreprise), Economy studies, France.
Universidad Complutense de Madrid – Departamento de Economìa –Economy studies – Spain.
Classic and scientific High school  – Biella, Italy


CURRICULUM VITAE
ANNIKA STRØHM

Name: Annika Strøhm
Profession: Actress
Nationality: Norwegian
Date of birth: 15th of March 1972
Mail: annika@strohm.no
Mobile: +39 338 24 72 761
Skype: annika.strohm
Driving license: type B
Physique: Hight: 1.71 cm, shoes: 38/39, weight: 65, hair: blond, eyes: blue/green
Languages: English, French, Italian, Swedish

Voice characteristics:
Mezzo soprano. Since 2002 – private lessons with Tiziana Portoghese ; educated at the music conservatory in Bari
Concerts with actors – composer and art. dir. Igor Ioussim
Course with Orlanda Cook

THEATRE EDUCATION:

2008-09                                                                                                                                 Studies with the french director and teacher Jean Paul Denizon Material: Tchekhov, Shakespeare 2005-06                                                                                                                                  Studies with the Russian director and teacher Anton Milenin. Material: “Crime and punishment”- “The Karamazov brothers”- Dostoevskij; “Symposium” -Plato; “Don Giovanni” – Moliere; “Guilty without guilt” – Ostrovski; “Thus spoke Zarathustra” – Nietzsche
1999 – 2002
Nordic Theatre Academy
; Master classes “School after theatre” directed by Jurij Alschitz for professional actors and directors, org. scut – Skandinavisk Centrum for utforskning av teater in co-operation with GITIS (Russian Academy of
Theatre Art) http://www.theatreculture.org
2001
Face of the 20th Century Woman
– Udine, Arcidosso, Bari, Italy. Laboratory project on the Vertical of the Role – self preparation of the actor; Art. director Jurij Alschitz. http://www.theatreculture.org.
Methodika – observer during a festival in theatre pedagogy, Sweden. org. by
scut.
International Directors Colloquium, Moscow, Russia. Participating as actress. Seminar for professional directors org. by scut. Part of the official program of the 3.Theatre Olympics – http://www.chekhovsfest.ru.
2000
Plato Laboratory, Oslo. Org. Scut, Protei and
The University of Oslo
Improvisation seminar in Berlin, Germany.
The thinking man in art– Plato Laboratory, Oslo, Norway.
1999
School after theatre –
Participant in the Italian master class , Milano, Italy,
1998-99
Nordic Black Theatre teaterskole
theatre school, Oslo.
http://www.nordicblacktheatre.no

SHORT THEATRE SEMINARS:
Clown seminars with Pierre Byland , Paolo Nani, Giovanni Foresti and Ian Algie.
Stage movement with Barbara Bonriposi and Riccardo Tordoni

OTHER EDUCATION:

1991 – 96 University of Oslo – Degree Cand.Mag.
Comparative Religions, 1996
Social Anthropology, 1994
French, 1992
Philosophy, 1991
1994 University of Siena, Italy. Italian studies.
1990-91 Sorbonne University, Paris. French studies.

THEATRE PERFORMANCES:

2009                                                                                                                                             Rien d’humain by Marie NDiaye, mise en espace by T. Ludovico, Kismet Theatre Refrain – Clytemnestra or the crime by M.Yourcenar, Torino

Body tracks – video created by Areté Ensemble

Cibonia – performance in elementary schools

The voyage of the silver coin  – reading,  fable written by Annika Strøhm 2008                                                                                                                                             Refrain – “Clytemnestra or the crime” by M. Yourcenar. Rome, Oslo, Bari

The voyage of the silver coin  – reading  a  fable written by Annika Strøhm, Biartecafestival

Voice of the philosofer by S. Salvemini and A. Strøhm. Readings and  games inspired by a philosofical textes. 2007
Refrain – “Clytemnestra or the crime”
by M. Yourcenar. Idea and realisation Annika Strøhm, Bari, Rome, Biella, Milan.
Actuality-
Theatre and DJ – performance, Biarteca Festival.

La voce del filosofo – Idea and realisation S. Salvemini and A. Strøhm. Readings and games based on philosophical texts.
2006
Vocation of a whore
by N. Capra. Direction G.Borgia, Edinburgh Fringe Festival
La voce del filosofo idea and realisation S. Salvemini e A. Strøhm. Readings and games based on philosophical texts.
How to explain the history of communism to mental patients – by M. Visniec. Reading. Direction G. Borgia, Bari
Piccoli fuochi – Molière and Dostojevskij. Direction A. Milenin and P.Ravaglia, Buti.
Clown clandestino, street theatre,direction G. Foresti
2005
Ritratto di Signora
by C. Bene, Direction G. Borgia
Vocazione di una puttana by Natalia Capra. Regia G. Borgia. Bari,Roma, Oslo
2004
Un Amleto di legno
by N. Capra, direction di G. Borgia. Otranto and Festival dei Due Mondi, Spoleto.
2003
Verso La Casa di Bernarda Alba
by F.G. Lorca. Direction G. Borgia. Bari, Modugno, Arcidosso
2002
Operette e Canti –
Performance on the life of G. Leopardi Direction G. Borgia. Bari, Messina
Macbeth Ilusion – Performance with actors from different European countries. Director Jurij Alschitz. Tour in the castles of Puglia, Italy
2000/02
Ion – a Plato dialogue

A philosophical dialogue. Oslo, Moscow, Aarhus

2001
The Vertical of Adele
from “The house of Bernarda Alba”, F. G. Lorca. Mono-performance . Director Jurij Alschitz. Arcidosso, Bari
1998
Isuthukuthuku
by Walter Kefuwe Chakela, directed by Rocco Petruzzi, performed in Oslo, Stavanger and Elverum, Norway.

COMMERCIAL
“VG – Gården”
: TV-commercial – Norwegian newspaper (2001 Oslo)
SHORT FILM:
“Damer” –
by T. Lian (1998 Oslo)

WORK AS TEACHER:
2005
Tutor in a theatre laboratory org. by Cantieri Teatrali Koreja (Italy), Theatre Education Project INTERREG III – AR.CO in Serbia.
2003 – 2004

– Pedagogue in the 8-months project “Dannati Maestri” dedicated to Carmelo Bene. Art.
Director Jurij Alschitz. Teaching theme: Monologue and The Vertical of the role.
– Various theatre laboratories in high schools together with S. Salvemini.
Laboratory on The Vertical of the Role – method of Jurij Alschitz, Pescara.
2000 – 2001
Private lessons, Oslo.

Founded ARETE’ ENSEMBLE in 2007 – Vice President – http://www.areteensemble.wordpress.com

Translations:
Freelance translator since 1998 – languages: Italian, French, English into Norwegian

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